Majd Raaiq
Coloring Transparency
Color transparency represents more than just a stylistic choice in design; it fosters a dialogue between superficial aesthetics and the perception of spatial boundaries. It enables the creation of public and private domains without imposing rigid separations. Transparency in architecture goes beyond the mere visual aspect of see-through materials. It encompasses a broader conversation about the interplay of interior and exterior spaces, often blurring the lines between them.
While transparency in architecture has dealt with public and private spaces, it rarely addresses the visuality of material surfaces. My thesis looks to color and images to flatten the transparent view with the materials of architecture. Through this, I investigate areas that imply the presence of different environments while avoiding strict separations, resulting in a more fluid spatial organization. I also examine how transparency from materials interacts with other design elements such as light and context to create spaces that adapt to their surroundings throughout the day.
Initial phases of this thesis began with a series of material tests exploring the effects of transparent through mediums, including transparent paper, ink, and various liquid exposures. Printing colors onto paper created a canvas for observing the interaction between ink and diverse materials. This process drew inspiration from fascinating patterns, facade prints, natural elements, and textures. Printing on the glossy side of the paper allowed the ink to remain wet and take on different forms as it dripped away. I conducted these tests using various substances such as steam, rainwater, salty water, fine and coarse salt crystals, vinegar, rubbing alcohol, and by over-saturating the prints and letting the ink trickle downwards while the paper was hung vertically.
Creating blur is an integral part of this exploration. Stacking and overlapping the prints reveal subtle and unique qualities inherent in material properties that are often overlooked in conventional architectural practice. The prints, enhanced with vibrant colors, are designed to evoke joy and intrigue for viewers. This work serves as a steppingstone for a roof design proposal in the central courtyard space of Balboa Park in San Diego, California.
Canvas Print
Ink Print 1
Ink Print 2
Ink Print 3
Ink Print 4
Ink Print 5
Ink Print 6