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Aligned with the first week of the fall term, Graduate Thesis at SCI-Arc cultivates an inevitable link between the theses of outgoing graduates and the curiosity of incoming students. The weekend of reviews gives graduate thesis students an invaluable platform to articulate, propose, and defend their work to the SCI-Arc community and beyond. 97 students and 21 faculty advisors will converge with an array of invited guest critics from within and outside the discipline of architecture, to review, debate, and contemplate the provocations of this year's thesis projects.

“This year's graduate thesis projects at SCI-Arc are rooted in a profound understanding of the persistent social, technological, and climatic challenges we face globally,” notes Jackilin Hah Bloom, Graduate Thesis Coordinator. “Students have established new capacities to address these issues, not from a problem-solving approach, but one that focuses more on crafting novel processes and frameworks to enhance our understanding of the built environment. While each project represents a unique and personal exploration, collectively, this year's thesis projects will invigorate discussions around technology, building, and ecology.”

Special thanks to all the constituents at SCI-Arc who help to make all Graduate Thesis events happen.

DIRECTOR/CEO

Hernán Díaz Alonso

VICE DIRECTOR/CHIEF ACADEMIC OFFICER

John Enright

GRADUATE PROGRAMS CHAIR

Elena Manferdini

GRADUATE THESIS COORDINATOR

Jackilin Hah Bloom

ASSISTANT TEACHER

Richard Mapes

TEACHING ASSISTANTS

Kelly Dix Van Benjamin Elmer

HISTORY + THEORY ADVISORS

John Cooper Erik Ghenoiu Marcelyn Gow

DESIGN ADVISORS

Matthew Au Kristy Balliet Jackilin Hah Bloom Ramiro Diaz-Granados David Eskenazi Soomeen Hahm Damjan Jovanović Karel Klein Zeina Koreitem Karen Lohrmann Elena Manferdini Rachael McCall Eric Owen Moss Anna Neimark Casey Rehm David Ruy Marcelo Spina William Virgil
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Matthew Pak

Casey Rehm

Mattville

 

Pixel farming, Suburb, Systems

Context

The lawn is a kind of remnant of the American agrarian pastoral dream that experienced its realization through the Jeffersonian grid and of the post-World War II American suburban dream that we are familiar with today. This dream is subject to constant reproduction and distribution. Because of this there are dispersed, tangible remnants and effects of this dream.

Lawns & Systems

An unruliness in lawns belies withdrawn systems that are regenerative, resilient, and sociable. As if there is a body of constituents in a restorative balance. As if our relation and interaction with these constituents has been one of imbalance. 

Should these systems choose to make room for us, there would be an opportunity to engage holistically as inputs in this consensus formation. Birds eat seeds of plants and help move the plants around. The plants could have made their seeds poisonous, and some do, and this would be a case of not making room for extra constituencies. Plants will choose sociability or otherwise, in their response to machine behavior and our practices—much as they have done for other constituents. And through an open-ended system, machines can adjust and respond in ways that are sociable and dialogic. 

New Aesthetics

An open-ended system can engage these systems in their complex, dialogic, and sociable terms. It can become a system that forms a new aesthetic based on a more holistic consensus involving interspecific bodies. In this case, these bodies are the plants and related systems. These bodies and systems have built-in organizations that will be accepted as inputs for a new and inclusive aesthetic. 

This aesthetics has potential to imbue ideas of diverse environments, sustainable landscapes, and parallel markets. Ideas which imbue progressive qualities. Qualities that could be marketable so to be leveraged for the aid, deployment, and reproduction of models that engage the systems.

Either way, when seen as a new aesthetic formed by a holistic consensus process, or as a progressive project in a capitalist environment, there are implications for the house. In the first case, the house becomes an element that intermediates its inhabitants and the external bodies of the consensus system. In the second case, the house communicates symbolic ideals and discards incompatible legacy elements that cannot reconcile with the “project” formed by the aesthetics.

In optimistic terms, there is an engagement with potential for nuanced relation with existing lawn systems. This iteration of pixel farming aspires to be an intermediary tool to enable engagement with constituents of lawn systems through a shared consensus.

 
 
 
 
 

Seed Dispersion Mechanism

 

Seed Dispersion Post Process 01

Seed Dispersion Post Process 02

 

Seed Dispersion Post Process 03

Prototype A

 

Prototype B

Alex Aguilera · Ahmed Almohanna · Omar Alrejaib · Lieven Baert · Maddy Berthold · Arjun Bharat · Adelle Bunch · Charite Carballo · Angelina Castagnola · Mackenzie Champlin · Junyi (Joy) Chen · Kai-Yen Chen · Wan-Yu (Wendy) Chen · Wei-Hung Chen · Yilong Chen · Yuyan Chen · James Chidiac · Shuang Chu · Jenny Cook · Kai Daniels · Emily Dinnerman · Solace Enwere  · Zarina Farmer-George ·  Kristoff Fink · Jack Freedman · Miaoyan Ge · Diba Ghazia · Qian Gu · Evelyn Hinojosa · Meng-Jung Ho · Jingbo Huang · TeKuei Huang · Matthew Hunt · Benjamin Jepsky · Suyue Jin · Xiao Jin · Abhishek Kadian · Krishna Kakadia · Yara Kamali · Morgan Knowles Sobotka  · Kaustubh Kulkarni · Aleksandra Lapshina · Daniel Chek Lam Lau · Wonjae Lee · Samson Levi · Sijia Li · Chloe Sijie Lin  · Bingkun Liu · Chunjia (Haruka) Liu  · Lexin Liu · Yanchu Liu · Freeland Livingston · Sizhe Lu · Amin Marandi · Jila Mendoza · Arthur Modine · Zhao Mu · Corey Norman · Lejian Ouyang · Matthew Pak · Jingyi (Casey) Pan  · Piyush Panchal · Hanna Park · Jinyong Park  · Nehal Patel · Felix Reyes · Mohamed Rezk · Jack Sheffield · Jiangyao Shen · Fang Shu · Man Shu · Yangmin Su · Pan Tan · Claire Trout · Marbella Vasquez Farach · Maria (Meli) Vasquez  · Jiehao Wang · Wei-Chieh Wang · Zeyu Wang · Michael Webb · Jixun Wen · Zhifeng Wu · Jinxin Xu · Huaiben Yang · Yuexiao Yang · TIffany Yu · Xinyuan Yue · Rebecca Zamani · Hiwot Zegeye · Jiaxin Zhao · Rui Zhao · Yiyu Zhou · Wei Zhu · Qingyang Zong · Haocun (Joseph) Zou  · Mange Zou · Kyle Zufra · Kyle Zufra ·  Alex Aguilera · Ahmed Almohanna · Omar Alrejaib · Lieven Baert · Maddy Berthold · Arjun Bharat · Adelle Bunch · Charite Carballo · Angelina Castagnola · Mackenzie Champlin · Junyi (Joy) Chen · Kai-Yen Chen · Wan-Yu (Wendy) Chen · Wei-Hung Chen · Yilong Chen · Yuyan Chen · James Chidiac · Shuang Chu · Jenny Cook · Kai Daniels · Emily Dinnerman · Solace Enwere  · Zarina Farmer-George ·  Kristoff Fink · Jack Freedman · Miaoyan Ge · Diba Ghazia · Qian Gu · Evelyn Hinojosa · Meng-Jung Ho · Jingbo Huang · TeKuei Huang · Matthew Hunt · Benjamin Jepsky · Suyue Jin · Xiao Jin · Abhishek Kadian · Krishna Kakadia · Yara Kamali · Morgan Knowles Sobotka  · Kaustubh Kulkarni · Aleksandra Lapshina · Daniel Chek Lam Lau · Wonjae Lee · Samson Levi · Sijia Li · Chloe Sijie Lin  · Bingkun Liu · Chunjia (Haruka) Liu  · Lexin Liu · Yanchu Liu · Freeland Livingston · Sizhe Lu · Amin Marandi · Jila Mendoza · Arthur Modine · Zhao Mu · Corey Norman · Lejian Ouyang · Matthew Pak · Jingyi (Casey) Pan  · Piyush Panchal · Hanna Park · Jinyong Park  · Nehal Patel · Felix Reyes · Mohamed Rezk · Jack Sheffield · Jiangyao Shen · Fang Shu · Man Shu · Yangmin Su · Pan Tan · Claire Trout · Marbella Vasquez Farach · Maria (Meli) Vasquez  · Jiehao Wang · Wei-Chieh Wang · Zeyu Wang · Michael Webb · Jixun Wen · Zhifeng Wu · Jinxin Xu · Huaiben Yang · Yuexiao Yang · TIffany Yu · Xinyuan Yue · Rebecca Zamani · Hiwot Zegeye · Jiaxin Zhao · Rui Zhao · Yiyu Zhou · Wei Zhu · Qingyang Zong · Haocun (Joseph) Zou  · Mange Zou · Kyle Zufra · Kyle Zufra ·