Kai-Yen Chen
Repair
My thesis focuses on restoration as a process of transformation that enables facets of old and new to coexist within a building. Specifically, the restoration of buildings damaged by natural disasters, present the opportunity to attain a balance between preserving the building's historical essence and implementing necessary repairs. The criteria for successful restoration in this context involve not only the technical aspects of repair but also the cultural and historical significance of the structure. I propose a unique approach where up to 25% of the building can be transformed to accommodate new functions and forms while retaining elements of its original design.
The Pantheon, a historic architectural marvel, underwent restoration over a century ago. However, the challenge lies in sourcing the exact pigments and materials that were originally used, making it difficult to fully restore the building to its pristine condition. Consequently, the Pantheon has undergone subtle changes through the repair process, resulting in an altered appearance that may go unnoticed by the casual observer.
In my methodology, I meticulously examine the building's surroundings and context to inform the restoration process. By juxtaposing modern materials with the traditional architecture, I aim to create a harmonious contrast that complements the building's original style while showcasing its evolution.
To illustrate these concepts, I have chosen two distinct case studies: structures in Napa Valley and Santa Barbara, both of which have faced multiple instances of earthquake-induced damage. The initial damage in the Vintner’s collective building which is a wine tasting bar in Napa Valley from the 2014 South Napa earthquake impacted only the building’s surface, while the subsequent event in the San Marcos Building in Santa Barbara resulted in the loss of an entire section of the building.
A vital aspect of my project is to enhance the circulation within these rejuvenated spaces. By strategically integrating new architectural elements, I aim to seamlessly connect existing historical structures with contemporary additions, thus fostering an adaptive reuse of building circulation. This synthesis of old and new, united through purposeful design, not only enriches the spatial experience but also breathes new life into these architectural treasures.